Andy White is a poet and powerbook-toting troubadour. He grew up in Belfast, surrounded by Irish beauty and terrorist violence. His father is a political writer and his grandmother was a piano player. Music and lyricism run in the family. boy 40 is Andy White's 12th international release. the album begins with Andy 'going solo' with his guitar and ends with him and an orchestra, trying to see God.

From his very first album Rave on Andy White, Andy was always going to be trouble. The title was a reference to a W.B. Yeats poem or a Van Morrison song - take your pick. The song Religious Persuasion was a slap in the face for those who connect religion with violence. Melody Maker's album review proclaimed "Yer man's a genius" and Andy White had arrived.

In his own words: "I grew up hearing folk music dividing people into one side or the other. I wanted to write a new folk music. Uniting our traditions with the rock music we loved and the new political future we hoped for. I started off writing poems and then picked up an acoustic guitar when I heard John Lennon sing 'Give Peace A Chance'. Put them both together, that's all."

boy 40 touches the heart of our time for those of us facing middle youth, in a world where it is hard to feel fully grown. Andy White is a coherent voice in the midst of all the generation txt confusion. From the innocence of the young Belfast boy watching the parades in The Twelfth Of July, all the way through to the experience of the man considering the western world's very own war on terrorism in The Fortune Teller's Right and Everything You've Got. It is an album about war and peace, about looking for a new home in the sun and searching for spiritual enlightenment.

boy 40 was written in London and Melbourne, Andy's new home. For the first time since on his earliest recordings, Andy played all the instruments. As a result, there is an offbeat and spontaneous vibe to the proceedings. The album was engineered and co-produced by Australian Simon Polinski (The Church, ALT) with two tracks co-produced by the Scotsman behind Narcotic Thrust, Stuart Crichton. There is an element of surprise and a groovy quality to the recordings that stems from an entirely laid back approach to the process itself ( the Melbourne effect).

The advantage of being older and wiser is that you can do and say what you want in the full knowledge that you can handle the consequences. The advantage of being a grown up is that you have the option of behaving like a child. Seize the moment, light the incense and experience the innocence. It's cool to care.

 
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